All tagged The Horror Section

I Know What You Need

“I Know What You Need” was first published in Cosmopolitan in 1976, and while the choice of maret may have been due to the story’s soap opera conceit, the story shows off one of Stephen King’s best qualities: the ability to build fantasy on top of a foundation of realism.

The Sisters

In the top floors of an abandoned hotel, a group of young girls rally around the comfort and protection of a mysterious supernatural force called the Sisters. When one of the girls, Wendy, starts having strange visions, she begins to question whether the Sisters are truly the saviors they claim, or something much more sinister.

Strawberry Spring

Like “The Mangler,” “Sometimes They Come Back,” and “The Boogeyman” before it, “Strawberry Spring” suffers from a lack of imagination at the crucial moment. What begins as a solid world-building exercise, showing how a small community can devolve into panic with a little injection of chaos, turns into a strange gotcha finale that is somehow both unearned and wholly unoriginal, even by 1970’s standards.

Atmospherics, Creature Design, and Bad Horror

Horror deals in something fundamental: fear. More than that, though, it can incorporate the full range of human emotions through a medium that is both enjoyable, entertaining, and deeply cathartic. But in order to succeed, horror needs to master a few key ingredients. Comparing Terrifier and The Nun, BLK STG gets to the heart of why one succeeds and the other doesn’t.

The Ritual

The Ritual may not be the most original horror film to come out this year, but it makes up for that with great acting, tension, and a final creature that is one for the ages.